BRYAN REES

Metalsmithing & Jewelry

 
Rees-Headshot.jpg

Bryan comes from a family of creative people, each with their own respective outlets. His mother is an architect, his father is a self-taught woodworker, and his brother is an illustrator and industrial designer, as well as a CCS alumni. Bryan joined Cub Scouts as a kid, then later went on to become an Eagle Scout when he was 17. Being outdoors so much has played a role in his artwork, resulting in organic and natural forms within his metalsmithing. Being an Eagle Scout, Bryan has learned to enjoy meeting new people and making new connections wherever he goes. He likes to go camping, fishing, go on bike rides, work on cars, and anything to keep him active outdoors and using his hands. If you know Bryan, you may also know he’s an accomplished and published beard model.

bryanreesart.com

bryan.rees.art@gmail.com

Instagram: @bryan.rees.art

 
Sterling Tea, 2021Sterling silver, acrylic8” x 4” x 4”

Sterling Tea, 2021

Sterling silver, acrylic

8” x 4” x 4”

Sterling Tea, 2021Sterling silver, acrylic8” x 4” x 4”

Sterling Tea, 2021

Sterling silver, acrylic

8” x 4” x 4”

Bubbly Bronze, 2021Bronze11” x 6” x 6.5”

Bubbly Bronze, 2021

Bronze

11” x 6” x 6.5”

Bubbly Bronze, 2021Bronze11” x 6” x 6.5”

Bubbly Bronze, 2021

Bronze

11” x 6” x 6.5”

Concave, 2020Bronze7” x 5” x 5”

Concave, 2020

Bronze

7” x 5” x 5”

Concave, 2020Bronze7” x 5” x 5”

Concave, 2020

Bronze

7” x 5” x 5”

Convex, 2020Bronze6.5” x 7” x 7”

Convex, 2020

Bronze

6.5” x 7” x 7”

Convex, 2020Bronze6.5” x 7” x 7”

Convex, 2020

Bronze

6.5” x 7” x 7”

Chisel, 2020Bronze6.5” x 6” x 6”

Chisel, 2020

Bronze

6.5” x 6” x 6”

Chisel, 2020Bronze6.5” x 6” x 6”

Chisel, 2020

Bronze

6.5” x 6” x 6”

 

BRYAN REES

My goal is to create three-dimensional objects that invite personal interaction. Through traditional holloware techniques and materials, I design and create structures that embrace and convey a utilitarian appeal while challenging thoughtful contemplation. Whether the response is to walk around the pedestal, to lean in to examine my work closer, or to touch and use the vessel within a daily task, the viewer is tempted to participate with my work on an intimate level. I invite more than a passing glance at my work. My vessels and raised forms embody personality and individual character, sometimes humor, and often contradiction.

Recently I’ve incorporated chasing and repousse into my work. I believe that it allows and welcomes new possibilities for creating pattern and personality. By hammering and pushing metal to its literal breaking point is such a fascinating and rewarding process, you get to see such beautiful forms that can be brought to life.

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